Its story begins further south, in Bogotá, Colombia, the city where artist Camila Langenhorst was raised. Art was never introduced to her so much as it was inherited, passed down through her grandmother and mother, both painters who shaped how she first understood color, material, and making. That early influence found its next chapter in San Francisco, California, where she began working in clay, training alongside artists across studios in Marin County and the city itself, each one shaping her technique and her eye. From there, her practice moved into sculpture and paint, always drawn toward the point where one material gives way to another. Each piece begins by hand and stays that way through every stage, holding onto the marks, textures, and small irregularities that come from working slowly and with intention.
What defines Souvle Studio isn't one material or technique, but a way of working across them: clay, glazes, shapes and pigment, treated as parts of the same language rather than separate practices. The result is work meant to be lived with, grounded, textural, and carrying something of the hands that made it.